The Edwin A. Fleisher Collection of Orchestral Music

Resources (95)

• A. and N. Cherepnin

  See under A. and N. Tcherepnin.

• Aaron Avshalomoff (1894-1965)

  Peiping Hutungs, a Sketch in Sounds upon Chinese Themes and Rhythms for Symphonic Orchestra, 1931–32; Concerto in G, upon Chinese Themes and Rhythms, for piano and orchestra, 1935; First Symphony in C minor, score, 237 pp., 1938–39; The K'e Still Ripples to Its Banks, score for orchestra, negative photostat, 1936; A Maid Goes Hunting (Bow and Arrow Dance), orchestral score, 1937, negative photostat; The Soul of the ch'in (Symphonic Suite), drawn from music written for the ballet pantomime by Ken Nakazowa, score for orchestra, 1926, negative photostat; Concerto in D for violin and orchestra, score, 181 pp., 1937; Concerto for flute and orchestra, score, 139 ff., 1948; Symphony no. 2 in E minor, the Chinese, score, 218 ff., 1949; and Symphony no. 3, in B minor, score, 169 ff., 1953.

• Adolf von Henselt (1814-1889)

  Concerto in F minor for piano and orchestra, op. 16, score, completed at St. Petersburg before 1845.

• Alexander Konstantinovich Glazounov (1865-1936)

  Orchestration of Robert Schumann's Carnival by Glazounov, A. Liadov, N. Rimskii-Korsakov, and N. Tcherepnin, orchestral score, ca. 1908–1909?; and transcriptions of 2 of his works: [Reverie, op. 24, transcribed for horn and orchestra by B. Jivoff], score, 13 pp., n.d., and Theme and variations [op. 72, in F sharp minor], transcribed for orchestra by Elizabeth Camerano, score, 69 pp., ca. 1962?.

• Alexander Nikolaievich Skriabin (1872-1915)

  [Nuances, for piano, op. 56, no. 3], transcribed by Modest Altschuler, 1 p., n.d.; and Two etudes, arranged by LaSalle Spier, 21 pp., transcription, 1940.

• Alexander Nikolayevich Tcherepnin (1899-1977)

  Suite Georgienne, score for string orchestra, n.d.; [Concerto for harmonica, op. 86], score, 88 ff., 1953; and [Symphony no. 2, op. 77, in E flat major], score, 130 ff., 1946–51.

• Alexander Sergeievich Taneiev (1850-1918)

  Mazurka I, op. 15, no. 1, orchestral score, 38 pp., n.d.; and Mazurka II, op. 15, no. 2, orchestral score, 28 pp., n.d.

• Alexander Tikhonovich Grechaninov (1864-1956)

  Symphony III, op. 100, in E major, score, 1920–23; Fourth Symphony, op. 102, in C major [In Memory of Tchaikovsky [Chaikovskii]], score, 1925–42; Triptique, op. 163 [or 161], score for string orchestra, 1940, black and white contact prints; and [Elegiac poem, op. 175], score, 24 pp., 1944.

• Alfredo Carlo Piatti (1822-1901)

  Airs Baskyrs, Scherzo, op. 8, score for violoncello and orchestra.

• Anatol Konstantinovich Liadov (1855-1914)

  Two preludes: 1. E major and 2. B-flat minor, transcribed for string orchestra by Bernard Morgan, score, 7 pp., transcription, 1939. See also under Alexander Glazounov.

• Anton Gregorovich Rubinstein (1829-1894)

  Berceuse [Lullaby] in G major, score for string orchestra, n.d.

• Anton Stepanovich Arensky (1861-1906)

  Suite, op. 15, transcribed for orchestra by Modest Altschuler, score, 74 pp., 1908.

• Anton Y. Simon (1851-1916?)

  Plainte Elegiaque, op. 38, no. 1, in memory of G. Fitzenhagen, score for string orchestra, ca. 1890?.

• Aram Ilich Khatchatourian (1904-1978)

  Piano concerto, score for piano and orchestra, n.d., photostat.

• Arcady Dubensky (1890-1966)

  Andante in F major, score for orchestra, n.d.; Armenian Dance, orchestral score, 1935; Dance Orientale, orchestral score, 1939; Old Russian Soldier's Song, orchestral score, 1930 and later; Political Suite, orchestral score, 1936; Rajah (An Old Arabian Dance), orchestral score, 1930; Russian Bells (1st Movement), orchestral score, 1927; Russian Bells (2nd Movement), orchestral score, 1937; Andante Russe, score for string orchestra, 1925; Prelude (Nocturne), score for string orchestra, 1936; transcription of Zdenko Fibich's Poem, for string orchestra, n.d.; arrangement of Jean-Marie Leclair's Sarabande and Tambourin, score for string orchestra, 1934; arrangement for string orchestra of Jean-Baptist Lully's Gavotte, 1935; transcription of Ludwig Senfl's Canon, 1935; Suite for nine flutes (no orchestra), score, 1935; and Fanfare and Choral, for 4 trumpets, score, 1939.

• Aristote G. Koundouroff

  Born in Greece, educated in Russia. Ikar [Icarus], Symphonic poem, score, n.d.; Conte No. 2 [Tale], score for orchestra, 1925–29; Suite Greque, orchestral score, 1930; and Symphoniette, orchestral score, 1934.

• Arnold Zemachson (b. 1892)

  Chorale et Fugue en Re Mineur, op. 4 [Chorale and Fugue in D Minor], score, 1928; Concerto Grosso, op. 8 [in E minor, for large orchestra], score, 1932–33; and Suite in F major, op. 11, score for strings, 1936–38.

• Boris Koutzen (b. 1901)

  Poeme-Nocturne, "Solitude," orchestral score, 1927; Symphony in c. large folio score, 1939, black and white contact prints; "Valley Forge," Symphonic Poem, orchestral score, 1931; Mouvement Symphonique, score for violin and orchestra, 1929; Concerto, large folio score, for 5 solo instruments and string orchestra, 1934, black and white contact prints; Concerto for violin and orchestra, score, 146 ff., 1946; Divertimento for orchestra, score, 114 pp., 1956; and From the American folklore, concert overture, score, 34 ff., based on American folksongs, 1943.

• Cesar Antonovich Cui (1835-1918)

  Berceuse from op. 20, Suite Miniature, arranged by William F. Happich, orchestral score, n.d.

• Cesare Ciardi (1818-1877)

  I carnevale di Venezia [Carnival of Venice], scherzo, op. 22, score, 18 pp., n.d.

• Charles Martin Tornov Loeffler (1861-1935)

  Les veillees de l'Ukraine, for violin and orchestra, score, 159 ff., ca. 1891?.

• Dmitri Dmitrievitch Shostakovich (1906-1975)

  Suite "The Nose," op. 15, score for orchestra, 1927–28, photostat; Suite from the ballet "The Bolt" (the ballet is op. 27), large folio score for orchestra, 1930–31, photostat; Five Preludes, arranged by Lan Adomian, score, 1936; Symphony no. 13, Babi Yar, op. 113, score, 223 ff., 1961; and [Symphony no. 14, op. 135], score, 153 pp., 1969.

• Dmitri Kabalevsky (b. 1904)

  Symphony no. 2, op. 19, score, 1934, photostat.

• Eda Rapoport (1900-1968)

  The Mathmid. Symphonic Poem (after Chaim Nachman Bialik), orchestral score, 1935, black and white contact prints; Suite, large folio score for orchestra, 1942–43, black and white contact prints; Adagio, score for string orchestra, 1940; Lament (Revolt in the Warsaw Ghetto), score for string orchestra, 1943, black and white contact prints; Concerto for piano and orchestra, large folio score, 1939, black and white contact prints; Fantasie (originally, Concerto) for violin and orchestra, score, 1942, black and white contact prints; Lamentations, based on Hebrew themes, for violoncello and orchestra, score, 1933; Three pastels for string orchestra, 1947; and Israfel, Tone Picture after Edgar Allan Poe, for flute, strings, and harp, score, 1936.

• Eduard Tubin (b. 1905)

  Music for strings, score, 24 pp., 1962–63; [Symphony no. 9, Sinfonia semplice], score, 79 pp., 1969–70; and Symphony no. 10, in 1 movement, score, 88 pp., 1973.

• Efrem Zimbalist (b. 1889)

  Concerto for piano in E. flat major, score, 138 ff., 1953–59.

• Fabien Koussevitzky

  See under Fabien Sevitzky.

• Fabien Sevitzky (originally Koussevitzky) (b. 1893)

  Russian Folk Song, free transcription for string orchestra, score, n.d.; W. Pogojeff's Prelude in G sharp major, arranged by Sevitzky, score for string orchestra, 1929; and his arrangement for string orchestra of J. S. Bach's Prelude "Herzlich thut mich verlangen," score, n.d.

• Feodor Stepanovich Akimenko (1876-1945)

  Suite de Ballet, in 3 parts, secured from the composer and copied from his original manuscript score (1916); Deuxierhe Nocturne, secured from the composer and copied from his original manuscript score (1920); and Nocturne, score for string orchestra (n.d.).

• Gennari Ossipovich Korganov (1858-1890)

  In the Gondola, op. 20, no. 6 (Album lyrique), orchestrated by William P. Happich, violin and piano transcription by Arthur Hartmann, n.d.; and Mazurka in B minor, arranged for string orchestra and harp by William F. Happich, n.d.

• George [i.e., Yuri Karlovich von] Arnold (1811-1898)

  Reve de sorciere [Witches dream], op. 13, no. 1, score, 29 pp., ca. 1910.

• Gregor Piatigorsky (1903-1976)

  Variations on a Paganini theme for violoncello and piano accompaniment, transcribed for orchestra by Arthur Cohn, score, 65 ff., transcription, 1946.

• Guillaume (Vassili) Vassilievich Bezekirsky (1835-1919)

  Concerto in A minor, op. 3, score for violin and orchestra, n.d.

• Henri Wienawski (1835-1880)

  Polonaise de Concert, in D major, op. 4, score for violin and orchestra, n.d.; and Polonaise brillante No. 2, in A major, op. 21, score for violin and orchestra, n.d.

• Herman M. Parris (b. 1903)

  Concertino for piano and chamber orchestra, 1946; Concerto no. 6, piano and orchestra, 1949; Concerto for violin, 1946; Elegiac overture for strings, 1948; Elegiac rhapsody, 1960; Four etchings for orchestra, n.d.; Hospital suite, in 10 movements, 1946; In memoriam [Joshua Levitsky]; Invocation and lamentation, 1946; lament for string orchestra, 1955; Nocturne for bass clarinet and orchestra, 1946; Nocturne for clarinet and strings; Nocturne for string orchestra, 1958; Overture, America, 1946; [Rhapsody no. 1, Hebrew rhapsody], 1947; Rhapsody no. 2, Heart, for orchestra, 1947–48; Suite no. 1 for symphonic band in 9 movements, 1947; Suite for strings, in 4 movements, 1948; Suite for trumpet and strings, in 6 movements, 1960; [Symphony no. 1, Akiba, in 1 movement], 1946; Symphony no. 2, 1947; Symphony no. 3, 1948; Symphony no. 4, 1950; and Three orchestral abstracts, 1948.

• Igor Fedorovich Stravinsky (1882-1971)

  Circus polka, composed for a young elephant, orchestral score, 1942, black and white contact prints; Four Norwegian Moods, orchestral score, 1942, black and white contact prints; Ode in Three Parts, score for orchestra, 1943, photostat; Fanfare for a Liturgy, score, n.d.; Fanfare, from the March Royale, score, n.d.; [Symphony in C], score, 209 pp., 1938–40; and [Fanfare for a new theatre], 1964.

• Isadore Freed (1900-1960)

  First Symphony, large folio score, 1941–42, black and white contact prints; Pastorales, Nine Short Pieces for Orchestra, score, 1933–36; Music for strings, score, 38 pp., 1937; transcriptions of Claude Goudimel's Huguenot Psalms LXII and CXXXIII, scores for chamber orchestra, 1936; arrangement for chamber orchestra of Ernest Schelling's Tarantella, score, 1936; Music for Strings, score, 1937–38; motet arrangements for strings of Tomas Luis de Vittoria's O Magnum Mysterium and O Vos Omnes, scores, 1935; and Concerto, large folio score for violin and orchestra, 1939, black and white contact prints.

• Israel Brandman (b. 1901)

  Der Pionier (Hechalutz), op. 10, score for orchestra, 1930; and [Variations on a theme of Joel Engel], score for piano and orchestra, 34 pp., ca. 1934.

• Iwan Muller (1786-1854)

  [Concerto, for clarinet, no. 4, in A minor], in 1 movement, score, 43 pp., n.d.; [Concerto no. 5 for clarinet in E-flat major], in 1 movement, score, 79 pp., n.d.; and [Concerto no. 6 for clarinet in G minor], score, 83 pp., n.d.

• Jaan Raats (b. 1932)

  [Concerto for strings, op. 16].

• Jacob Weinburg (1879-1956)

  Ora [subtitled: Palestinian folk dance]; and Palestine, rhapsody, op. 18.

• Jacobo Ficher (b. 1896)

  2nd Suite Symphonique, op. 6, orchestral score, 1926; Tres Bocetos Sinfonicos [Three Symphonic Sketches, Inspired by the Talmud], orchestral score, 1930; Segunda Sinfonia [Second Symphony], op. 24, score, 1933; Tercera Sinfonia [Third Symphony], op. 36, score, 1938–40; Dos Poemas [Two Poems, nos. 16 and 42, from "The Gardener" of Rabindranath Tagore], op. 10, score for chamber orchestra, 1928; Sinfonia de Camara [Chamber Symphony], op. 20, score, 1932; Los Invitados [The Guests], op. 26, ballet score for chamber orchestra, 1933; Concerto, op. 46, score for violin and orchestra, 1942, negative photostat; Sulamita [Shulamite, Poem of Love], op. 8, orchestral score, 1927, negative photostat; [Symphony no. 4], op. 60, score, 111 ff., 1946; Symphony no. 5, Thus spake Isaiah, op. 63, score, 112 pp., 1947, inspired by World War II; and [Symphony no. 6], op. 86, score, 138 pp., 1956.

• Jacobo Kostakowsky (b. 1893)

  El Romancero Gitano [Gypsy Romances, suite in 4 parts], score (n.d.); Lascas [Fragments (Symphonic Poem)], score for orchestra, 1939; Clarin [The Trumpet (Choreographic Prelude)], score, 1935, microfilm; Concertino, score for violin and orchestra, 1938, negative photostat; Concierto, for violin and orchestra (also solo and piano reduction), negative photostat, 1942; La Creadon del Hombre [The Creation of Man, Mexican Mayan Legend], ballet score, scenario by J. Gorostiza, 1939, negative photostat; Juventud [Youth, Symphonic Poem], orchestral score, 1937, negative photostat; (Marimba) Capricho, score for piano and orchestra, 1938, negative photostat; Musica de Camara No. 5 "Estampas Callejeras" [Chamber Music No. 5 "Street Sketches"], n.d., negative photostat; Sinfonieta Tropical, score for chamber orchestra, 1940, negative photostat; Taxco, Poem ("Al Caer la Tarde") [Poem ("At Sunset")], orchestral score, 1938, negative photostat; and [Concerto, no. 1, for violin, in C major], score, 56 pp., 1942.

• Jeronimas Kacinskas (b. 1907)

  Lento, for symphony orchestra, score, 31 pp., 1957; and [Song to light], score, 17 pp., 1947.

• John Field (1782-1837)

  Concertos I, III, and IV in Eb major, VI in C major, and VII in C minor, scores for piano and orchestra, n.d.

• Josef Piastro (1889-1964)

  Crimean rhapsody, Bachchissaray, score, 67 pp., 1920–38.

• Joseph Achron (1886-1943)

  Hebrew Dance, op. 35, no. 1, score for orchestra (1913); Hebrew Lullaby, op. 35, no. 2, score for orchestra (1913); Dance Improvisation, op. 37, score for orchestra (1916); Children's Suite, op. 57, arranged by D. Tamkin; Two Tableaux, from the Theatre Music to "Belshazzar" by Roche, score for orchestra (1931); Suite, from the Theatre Music to "Golem" by Leivick, for chamber orchestra, score (1931–32); Improvisation on "Jeanie with the Light Brown Hair," by Stephen C. Foster, for string orchestra (1939); Improvisation on "Tambourin," by Jean-Philippe Rameau, score for string orchestra (1938, but composed for violin and piano in 1910); Second Concerto, op. 68, for violin and orchestra (1932–34); and Third Concerto, op. 72, for violin and orchestra (1936–37).

• Joseph Schillinger (1895-1943)

  March of the Orient, op. 11, orchestral score, 1924; Symphonic Rhapsody "October," op. 19, score for large orchestra, 1917–27; North Russian Symphony, op. 22, orchestral score, 1930; and First Airphonic Suite, op. 21, for (RCA) theremin and orchestra, score, 1929.

• Karol Rathaus (1895-1954)

  Suite from the ballet "Le Lion Amoureux," commissioned by Colonel de Basil's Ballet Russe, score, 1937; Polonaise symphonique, op. 52, score, 25 ff., 1943; Salisbury Cove, an overture, op. 65, score, 31 ff., 1949; and Vision dramatique, op. 55, score, 44 ff., 1945.

• L. Julien Rousseau

  Les petits Moukjiks.

• Lan Adomian (b. 1905)

  Prelude, op. 2 ("Stage Music," no. 1), large folio score for orchestra (1929); and his arrangement (1936) of D. Shostakovitch's Five Preludes (for orchestra).

• Lazar Weiner (b. 1897)

  Prelude and Fugue, score for orchestra, 1938.

• Lazare Saminsky (1882-1959)

  Pueblo, a Moon Epic, orchestral score, 1936; Hebrew Rhapsody, op. 3, no. 2, score for violin and orchestra, 1923; Overture in F# minor, op. 1, score, 1908, negative photostat; First Symphony, op. 10 (Symphony of Great Rivers), score, n.d., negative photostat; and Symphony IV, op. 33, score, n.d., negative photostat.

• Leo Ornstein (b. 1895)

  Danse, orchestral score, 1936, photostat; and Nocturne, orchestral score, 1936, photostat.

• Leonid Leonardi (b. 1901)

  All transcriptions: of 3 J. S. Bach works, 1935, of D. Buxtehude, 1935, of S. Scheidt, 1935, of J. N. Hanff, 1935, and of J. K. Vogler and J. G. Walther, 1935.

• Louis Gruenberg (1884-1964)

  Americana, suite for orchestra, op. 48, score, 114 ff., 1945; Concerto for piano and orchestra, no. 2, op. 41, score, 130 ff., 1938–63; Concerto for violin and orchestra, op. 47, score, 163 ff., 1944; Symphony no. 2, op. 43, score, 204 pp., 1941–63; and Symphony no. 3, op. 44, score, 184 pp., 1941–64.

• Marc Lavry (b. 1903)

  Chasidischer Tanz, score for orchestra, 1928; and On the Banks of Babylon, op. 33, manuscript score for string orchestra with photostat inset, n.d.

• Marcelo Koc (b. 1918)

  Preludio, intermezzo y fuga, for strings, score, 29 ff., 1951.

• Mark Silver (1892-1965)

  Funeral march (Marcia funebre), symphonic poem, 1915–16.

• Menahem Avidon (b. 1908)

  3 holographs.

• Michael Michailovich Ippolitov-Ivanov (1859-1935)

  Yar-Chmel [Exhilarating Time], op. 1, spring overture, score copied from composer's original manuscript, 1881; Symphonic Scherzo, op. 2, score copied from composer's original manuscript, 1882; Episode from the life of Schubert, op. 61, symphonic picture for orchestra and tenor, the composer's own score and only known manuscript, 1929; [From Ossian, three musical pictures, op. 56], orchestral score, 91 pp., 1925; [Sur le Volga, musical tableau, op. 50], orchestral score, 1910; and [Quartet for strings, op. 13, in A minor, excerpt, intermezzo transcribed for string orchestra], score, 5 pp., 1894, transcriber unknown.

• Michel Michelet (Mikhail Isaakovich Lewin) (b. 1894)

  [Elegy for string orchestra, op. 4], score, 8 pp., 1918.

• Mischa Elman (b. 1892)

  See under N. Amani.

• Modest Altschuler (b. 1873)

  See under S. Rachmaninoff, N. Rimskii-Korsakov, V. Sapelnikov, and A. Skriabin.

• Modest Moussorgskii (1839-1881)

  [Songs and dances of death, no. 4], transcribed for voice and orchestra by J. Schwarzdorf, score, 16 pp., text in Russian by Count Arseny Golenishchev-Kutuzov, n.d.

• Nicholas Amani (1872-1904)

  Orientale, arranged for violin and orchestra by Mischa Elman (1917).

• Nicolai Nicolaievich Tcherepnin (1873-1945)

  See under A. Glazounov.

• Nicolai T. Berezowsky (1900-1953)

  Symphony No. 2, op. 18, score for orchestra, 1933; Symphony No. 3, op. 21, orchestral score, 1936; Symphony No. 4, op. 29, score for orchestra, 1942, black and white contact prints; Introduction and Waltz, op. 25, score for string orchestra, 1939; Fantasie, op. 9, for 2 pianos and orchestra, score, 1929–32; Concerto, op 14, for violin and orchestra, score, 1929–30; Concerto, op. 28, for viola or clarinet and orchestra, large folio score, 1941; black and white contact prints; Concerto Lirico, op. 19, for violoncello and orchestra, score, 1935; Toccata, Variations and Finale, op. 23, large folio score for string quartet with orchestra, 1938, photostat; Soldiers on the Town, op. 30, no. 1, score for orchestra, 1943, black and white contact prints; Christmas Festival Overture, op. 30, no. 2, score for orchestra, 1943, black and white contact prints; and [Concerto for harp and orchestra, op. 31], score, 59 ff., 1944.

• Nicolas Slonimsky (b. 1894)

  Little March for the Big Bowl (or: Marche Grotesque), edited by Arthur Cohn, orchestral score, composed for piano in 1928, 1933; Four Simple Pieces for small orchestra (original title: Four Compositions for Young People), score, 1931; Fragment of chorus from "Orestes" of Euripides, arranged by Slonimsky, score for chamber orchestra, 1933; Pequeria Suite [Suite for flute (and piccolo), oboe, clarinet, percussion, and a portable typewriter, score, ca. 1941?; Fanfarria Habanera para Despertar a los Trasnochadores [A Havana Fanfare to Wake Up Those Who Have Been Out All Night], edited by Arthur Cohn, score composed in 1933, 1944; Fanfare for the W.P.A. Music Copying Project of the Free Library of Philadelphia, edited by Arthur Cohn, score, 1942; and The Prince Goes Hunting (Ballet), written for the pantomime by Paul Horgan, score, 1925, microfilm.

• Nikolai Iakovlevich Miaskovsky (1881-1950)

  Concerto, op. 44, for violin and orchestra, score, 1938, negative photostat.

• Nikolai Lopatnikoff (1903-1976)

  Opus Sinfonicum, op. 21, orchestral score, 1933–41; Symphony No. 2, op. 24, large folio score for orchestra, 1939–40, black and white contact prints; Deux Nocturnes, op. 25, large folio score for orchestra, 1939–40, black and white contact prints; Symphonietta, op. 27, large folio score for chamber orchestra, 1942, black and white contact prints; Concerto, op. 26, large folio score for violin and orchestra, 1941, black and white contact prints; Danton Suite (Suite from the opera "Danton"), op. 20, orchestral score, n.d., negative photostat; Concertino for orchestra, op. 30, score, 69 ff., 1944; Concerto for 2 pianos and orchestra, op. 33, score, 131 ff., 1950; Divertimento for orchestra, op. 34, score, 106 ff., 1951; and Symphony no. 3, op. 35, score, 153 ff., 1954. (Additions expected).

• Nikolai Nabokov (b. 1903)

  Les Danses de Polichinelle, suite of dances for symphonic orchestra, score, n.d.; Symboli Chrestiani [for baritone and orchestra], score, 51 pp., 1956; and his arrangement of J. S. Bach's Orchestersuite, 1938.

• Nikolai Rimskii-Korsakov (1844-1908)

  [Sadko. Song of India], transcription by Modest Altschuler, 8 pp., n.d. See also under A. Glazounov.

• O. Warchavsky

  Danse Russe, with flute, score for string orchestra, n.d.

• Peter Ilich Tchaikovsky [Chaikovskii] (1840-1893)

  Sleeping Beauty, op. 66, ballet in 3 acts, score, 1888–89; Melancholic (Chanson triste), op. 40, no. 2, score for string orchestra, ca. 1878?; and In Autumn, Tone Picture, op. 37a, no. 10, arranged by Ludwig Sauer, score for string orchestra, 1876.

• Pierre Marie Francois de Sales Baillot (1771-1842)

  [Russian air with variations, score for violin and string orchestra, op. 24], 32 pp., 1807.

• Reinhold Moritzovich Gliere (1875-1956)

  Krasni Mak (Pavot Rouge) [Red Poppy], op. 70, complete ballet score in 3 acts, 1926–27, plus scores for many individual numbers from the ballet; and Melodie, free transcription for violin and piano by Arthur Hartmann, arranged for string orchestra by W. F. Happich, n.d.

• Revol Samuilovich Bunin (b. 1924)

  [Concerto, piano and chamber orchestra].

• Richard Yardumian (b. 1917)

  Armenian Suite, score, 42 pp., 1936–37.

• Rodion Konstantinovich Shchedrin (b. 1932)

  [Suite for accordion, harp, and strings], score, 23 pp., 1961.

• Salomo Rosowsky (1878-1962)

  Chassiden (Chassidim), Phantastischer Tanz, large folio score for orchestra, 1914.

• Samuel A. Lieberson (b. 1881)

  In a winter garden, suite for large orchestra, score, 107 ff., 1932.

• Serge Alexandrovich Koussevitzky (1874-1951)

  [Concerto, op. 3] for contrabass, score, 100 pp., 1902.

• Sergei Eduardovich Bortkievich (1877-1952)

  Five Russian Dances, op. 18, orchestral score, n.d.; Symphony no. 1, From my native land, op. 52, in D minor, score, 128 pp., n.d.; and Symphony no. 2, op. 55, in E flat major, score, 100 pp., n.d.

• Sergei Michailovich Liapunov (1859-1924)

  Lesghinka, arranged for orchestra by Josef Alexander, score, 1938.

• Sergei Sergeevich Prokofiev (1891-1953)

  Fanfare, for a Spectacle, 3 trumpets, score, ca. 1921?, negative photostat; and Suite, op. 12, orchestral transcription by Harold Byrns, originally composed for piano, 1908–13, 1941, black and white contact prints.

• Sergei Vassilievich Rachmaninoff (1873-1943)

  Polka de W[assili] R[achmaninoff], score, 15 pp., based on a theme of his father, transcription by an unknown composer, n.d.; [Prelude, for piano, op. 3, no. 2, in C sharp minor, transcribed for orchestra by Modest Altschuler, score, 12 pp., n.d.; and Prelude for piano, op. 23, no. 5, in G minor, transcribed for orchestra by Altschuler, score, 16 pp., n.d.

• Stanislas Moniuszko (1819-1872)

  Polonaise—Entr'acte, from the opera "La Comtesse," violoncello solo with accompaniment of 2 violoncellos, viola, and contrabass, score for string orchestra, ca. 1860?.

• Taavo Virkhaus (b. 1934)

  [Concerto for violin], score, 73 ff., 1966; and Overture to Kalevipoeg, score, 39 ff., 1957.

• Theodore Leschetitzky (1830-1915)

  [Berceuse, op, 46, no. 1], transcribed for string orchestra by Poul Kroman, score, 6 pp., n.d.

• Tikhon Krennikov (b. 1913)

  Symphony, op. 4, score, 1933–35, photostat.

• Vassily Lvovich Sapelnikov (1867-1941)

  Polka caprice, transcribed for orchestra by Modest Altschuler, score, 11 pp., transcription, 1916.

• Vladimir Dukelsky (Vernon Duke, pseud.) (1903-1969)

  Symphony No. 2 in D flat, score for orchestra, 1928; Ballade for piano and chamber orchestra, 1931–43, on microfilm; and Dedicaces [Dedications, for piano, orchestra, and obbligato female voice], 1934–36, negative photostat.

• W. Pogojeff

  See under F. Sevitzky.

• Wiktor Labunski (1895-1974)

  Symphony No. 1, op. 14, score, 1936; and Concerto in C major, op. 16, score, 1937.